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035 _a(OCoLC)972568065
040 _aDGITA
_beng
_erda
_epn
_cDGITA
020 _a9783954872275
_q(eBook ;
_qpdf)
020 _a3954872277
_q(eBook ;
_qpdf)
020 _z9781936353194
_q(Iberoamericana)
020 _z1936353199
_q(Iberoamericana)
020 _z9788484897453
_q(Vervuert)
020 _z8484897451
_q(Vervuert)
020 _z9783865277947
_q(Iberoamericana Vervuert Publishing Corp)
020 _z3865277942
_q(Iberoamericana Vervuert Publishing Corp)
043 _as------
_ae-sp---
050 1 4 _aML1717.A13 ebook
082 0 4 _a782.1098
100 1 _aGasta, Chad M.
_q(Chad Michael),
_eauthor.
245 1 0 _aTransatlantic arias :
_bearly opera in Spain and the new world /
_cChad M. Gasta.
264 1 _aMadrid :
_bIberoamericana ;
_aFrankfurt am Main :
_bVervuert Verlag,
_c2013.
300 _a1 online resource :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_2rdaft
347 _bPDF
490 1 _aBiblioteca Aurea Hispánica,
_x2173-6677 ;
_v89
504 _aIncludes bibliographical references and index.
505 0 _aA European invention : the genesis of opera in Europe -- The origins and development of opera in early modern Europe -- An Italian revolution : the expansion of opera in Europe -- Opera in Spain and the New World : transatlantic opera and its origins -- Opera and musical culture in the New World -- Opera in the City of Kings : Tomás de Torrejón's La primera de la rosa -- Funding the arts in Lima : the political and social -- Reponsibility of aesthetics -- Opera and the ideological agenda -- Ideology and persuasion in Torrejón's Loa to La primera de la rosa -- Sacred arias : intercultural engagement and musical culture in the Jusuit missions of South America -- Mission musical culture -- Domenico Zipoli's San Ignacio de Loyola and Jesuit strategies of evangelization -- San Francisco Xavier : the emergence of indigenous opera.
520 _aEmploying current theories of ideology, propaganda and musical reception, [this book] examiness the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas. What emerges is an amazing history of extraordinarily complex lyrical and musical works for their time and place, which are also critical for illuminating inimitable perspectives on the cohabitation and collaboration of indigenous groups and Europeans. -- Book cover.
588 0 _aOnline resource; title from PDF title page (Digitalia, viewed April 30, 2019)
650 0 _aOpera
_zSouth America
_y18th century.
650 0 _aOpera
_zSpain
_y17th century.
650 0 _aOpera
_zSpain
_y18th century.
655 0 _aElectronic books.
791 2 _aDigitalia (Firm),
_edistributor.
793 0 _gDigitalia eBook Collection:
_aIberoamericana/Vervuert
776 0 8 _iPrint version:
_aGasta, Chad M. (Chad Michael)
_tTransatlantic arias.
_dMadrid : Iberoamericana ; Frankfurt am Main : Vervuert, 2013
_z9781936353194
_w(DLC) 2013040253
_w(OCoLC)861120137
830 0 _aBiblioteca Aurea hispánica ;
_vv. 89.
856 4 0 _3Digitalia Hispánica
_uhttpss://www.digitaliapublishing.com/a/56682/
910 _aPremium collection: 2019
942 _cRAA
999 _c200344
_d200344